New Fiction: One More Time to Get It Right

I am excited to announce that my flash fiction piece “One More Time to Get It Right” is now in the new issue of Hypnopomp.

Thanks to editors Clarrie Rose and Deon Lee for taking a chance with my work.

New fiction: Thaumatrope

My latest flash, “Thaumatrope,” has been published in the inaugural issue of Rhythm & Bones. Thanks to Tianna Grosch, Charlie Allison, and Renee Firer, for not only giving this piece a home but for pairing it with some cool artwork as well.

So check out the issue and submit to them.

A Little Help from My Friends

One day during the summer, while listening to the Beatles, I decided I was going to write a poem called “The Final Chord of ‘A Day in the Life.’”

For those unfamiliar with the song, it’s the final track from the Beatles’ 1967 LP Sgt. Pepper’s Lonely Hearts Club Band, a record that still casts a large shadow over pop music today. One of the earliest examples of “progressive rock,” the song begins with John Lennon singing over a simple acoustic melody and climaxes with loud, swirling psychedelia. It ends with an E chord that’s played on several pianos and slowly fades for roughly a minute. In order for the listener to hear the chord’s vibration for that long, engineer Geoff Emerick had to turn up the recording levels really high, so the song basically ends with a loud crash before a long, slow fade.

I was always fascinated by the fact that the Beatles (as well as Emerick and producer George Martin) chose to end such an epic song in that way. To me, it was the antithesis of the album’s beginning, which announced the arrival of the titular band on stage. That final chord in “A Day in the Life,” on the other hand, was the exhausted audience trudging to the parking lot after the show.

So I decided to write my poem about that. But a couple of things happened to my piece along the way.

First, one of the lines from the song (“Now they know how many holes it takes to fill the Albert Hall”) kept playing over and over in my head. I eventually incorporated it into the piece, so it was no longer inspired by just that final chord. For this reason, I gave it a new title: “Holes.” (By the way, the revised piece also quotes a Bob Dylan song.)

Second, after I wrote the rough draft, I thought it was, well, boring. Considering that I was using such an adventurous recording for my inspiration, I felt my piece should reflect that same spirit. So I decided to take a different approach: Instead of writing a poem, I wrote a flash using stream-of-consciousness. While I had read some works that employed stream-of-consciousness (notably James Joyce’s Ulysses, Marcel Proust’s In Search of Lost Time, and Virginia Woolf’s To the Lighthouse), I had never tried writing it myself. But I decided to give it a shot. After all, what did I have to lose?

It took me a little while to get this into shape, but fortunately I got a lot of help from seven of my writing friends (both on and off Scribophile). Sure, it sounds like a lot of people were involved in what ended up being a very short piece (under 800 words), but it’s a good idea to hear from different people about a work-in-progress, especially if you’re trying out a new form.

Some people may be familiar with it and know what to look for in that type of piece. For example, a few people suggested that for “Holes,” I break some grammar rules. I’ve done that for poems, but I would have never thought about doing it for a flash, or at least not to the extent I did it in mine. Of course, others may not be as familiar with the form, so they may judge it based on a completely different set of criteria. Still, one should consider all opinions, even from those readers who may not “get it.” After all, they may see something in a piece that others never noticed, so their feedback is just as valuable as everyone else’s.

Overall, this experience was a positive one for a couple of reasons. First, “Holes” was accepted for the inaugural issue of Tape Hiss, which will probably be out in the next month or so. But also, writing the piece and sharing it with a writing community have inspired me to go on more literary adventures, which I will write about in future posts.

Have you tried experimenting with your writing recently? If so, did you share your work-in-progress with writing friends? Please feel free to tell me about it in the comments.

Lost and Found

So late last month, I got my first acceptance of the year. It was for a found poem that will be appearing in Unlost Journal in April.

After receiving the acceptance, I thought, Why not write a post about found poetry?

Since there are plenty of resources about found poetry on the web, I won’t try to define what found poetry is. (Besides Unlost, you should check out and the Found Poetry Review.) Instead, my goal here today is to inspire you to try writing found poetry since it is fun to do.

Now, by no means am I a found poetry expert. I still have yet to try an erasure or a cento, but I have had a few pieces published.

Also, there are people who can make a poem out of anything. I’m not one of those people (at least not yet).

However, I did manage to craft a poem using text from a copywriting book. That poem, “Wisdom,” was published in Five 2 One’s #thesideshow.

To create that poem, I picked a random chapter in Joseph Sugarman’s The Adweek Copywriting Handbook (in this case, Chapter 17), and started circling words (or parts of words) and phrases. Some of them were just prepositions (e.g., of, into) that by themselves do not have poetic value but are needed for the poem as a whole. Along the way, I also found some phrases that might be good in a poem; for example, here’s a paragraph from page 103 of Mr. Sugarman’s book (I hope he doesn’t mind if I borrow it):

With less copy, your ad will look less imposing to the prospect and he or she will be more likely to read it. The second advantage is that you are making the slippery slide even more slippery by making it shorter. Your prospect will get to the bottom of the slide much faster, yet still get the full impact on your sales message.

From this, I ended up circling the slippery slide, get to the bottom, and impact. If you read “Wisdom,” you may have noticed that I used all three of these. However, you may have noticed that they’re used with other words that do not appear in the paragraph. These words were taken from other pages in the chapter (e.g., environment, which appears in the next paragraph). Sometimes I add a few words not in the source, but in this case, I only used words from the text. When I do add words, I try to add as few as possible since the idea of found poetry, after all, is to create something new from something already published.

So are you interested in found poetry? Do you have any additional resources you would like to share? Do you have any favorite found poetry books? Let me know in the comments.

Back in the Saddle

At the beginning of the month, I posted my goals for the year in one of the forums on Scribophile. Of course, I said I was going to write and submit more. But I also mentioned that I wanted to get back to writing regular posts for this blog.

So here I am. Nice to see you again.

For this entry, I thought I would keep it simple and just inform readers about what I’ve been up to lately.

  • Since November, I’ve been working on a horror story that’s right now is roughly 6,000 words long. I won’t talk too much about this now because I’m planning on making it the subject of a future blog post.
  • I completed a fiction piece that I began around this time last year and submitted it for publication.
  • I also finished a new poem I had started in December and submitted it for publication.
  • I began some experimental pieces. I’m not sure how successful these will turn out, but it’s been fun trying new forms.
  • Speaking of Scribophile, I had been absent from it during most of the fall, but I returned to it in late December. Since then, I’ve posted some of the new works mentioned above and critiqued poems and stories by others. As I’ve mentioned before, Scribophile is a valuable resource for writers. If you’re interested in improving your writing and meeting other writers, you should definitely check it out. (In case you’re wondering, no, I don’t work for them.)

That’s it for now. What have you been up to lately? Please tell me about it in the comments.